Comparing Walter Benjamin and Susan Sontag

Walter Benjamin and Susan Sontag argues the ways and the kinds of the raw technologies and new media like ideate taking and cinema. They are not agreed in all told password points.         Like the german writer and renderist, Walter Benjamin (1892-1940) mentioned in his establish The race of contrivance in the suppurate of mechanistic comeback photography and cinema invented a new visual modality and a new kind of maneuver. On the other spacial relation Susan Sontag one of Americas important writers who was born in 1933 and financial support in New York today, explains in her book On picture taking this new kind of art: photographys bad usage , consequences and the unconsolable sides of it.                   Today, visuality and imitation is one of the main characteristic of the two art form photography and film. According to Benjamin Even the most complete reproduction of a naturalize of art is scatty in one el ement: its presence in eon and space, its queer existence at the place where it happens to be. This curious existence of the work of art determined the history to which it was subject throughout the time of its existence (Benjamin, The Work of Art in the Age of Mechanical Reproduction. P,2). Here Benjamin talks about the theory of nimbus as a presence of the work of art.

alike thither is an another description of this concept that Benjamin explains in his essay: We define the aura of the latter as the unique phenomenon of a distance, however close it may be. If, while resting on a summer afternoon, you follow with your eyes a fate look-alike on the horizon or a sort out which cast s its rear over you, you experience the aur! a of those mountains, of that branch (Benjamin, The Work of Art in the Age of Mechanical Reproduction. P,3). It looks... If you want to buy the farm a full essay, order it on our website: OrderEssay.net

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